EASE®

EASE - Enhanced Acoustic Simulator for Engineers

Software

The EASE® software suite provides system designers and consultants with an invaluable set of tools for all aspects of professional practice, from detailed, realistic modeling and simulation of venue acoustics and sound system performance to informative and engaging client presentations, as well as professional data assessment and verification. Rooms can be defined using a CAD module, absorption coefficients can be assigned to surfaces, and sound sources as well as listener positions can easily be added to the model.

EASE Standard and its smaller brother EASE JR, along with the optional modules AURA and EARS, take the guesswork out of system design, help eliminate costly mistakes and reduce installation time. They assist designers in learning and growing by graphically displaying accurate predictions of real-world acoustics. These data can then be used to generate an exact simulation of reverberation times, speech intelligibility and other acoustical parameters even before the room itself is built. EASE models are an ideal way to explore options and to evaluate what works and what doesn’t work – before the virtual venue becomes a job site and changes are time-consuming and expensive.

Key benefits of EASE simulation:

  • Convince customers with calculations by the industry standard electro-acoustical simulation software.
  • Be sure to meet the requirements for SPL, STI and other demands with minimum effort.
  • Become aware of obstacles that would remain hidden without simulation.
  • Analyze and solve acoustical problems before they arise.
  • Save time and money by avoiding multiple iterations on site.
  • Make use of the largest and highest quality loudspeaker database to find the optimal solution.

Worldwide, thousands of acousticians, consultants, specifying engineers, installation companies and other professionals rely on EASE for their everyday work by now. EASE has not only been setting the standard in simulation, it also was the starting point for a row of additional modules and other programs that, over the years, have greatly expanded the capabilities of EASE as well as the quality of acoustical simulation as a whole.

Versions & Prices

Details

Full Licence Simulation Software, 1 User Key
Includes a free license for the next major release, EASE 5 JR.
The End User License Agreement for EASE 4 (dated March 12, 2018) applies.

890 EUR (net)

Details

Full Licence Simulation Software, 1 User Key
Includes a free license for the next major release, EASE 5 Standard.
The End User License Agreement for EASE 4 (dated March 12, 2018) applies.

2.110 EUR (net)

Details

Module for EASE Standard, 1 User Key
The End User License Agreement for EASE 4 (dated March 12, 2018) applies.

1.150 EUR (net)

Details

Module for EASE Standard, 1 User Key
The End User License Agreement for EASE 4 (dated March 12, 2018) applies.

660 EUR (net)

Details

Module for EASE JR or EASE Standard, 1 User Key
The End User License Agreement for EASE 4 (dated March 12, 2018) applies.

450 EUR (net)

Features

CAD-style Editing

 

Built-in drawing module for construction of a 3D acoustical model

Using the EASE modeling tools an acoustical model can be built quickly. Closed rooms can be modeled in addition to open spaces, such as arenas and stadiums.

 

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EASE Edit Project module.

 

Well-known CAD program features as well as new, helpful resources

Key drawing tools:

  • Creation of vertices, lines, surfaces, groups and a number of object and room templates.
  • Editing and modification: Extrude, Displace, Zoom and Cursor functions, Move, Rotate, Duplicate, etc…
  • Symmetry and Mirroring: save modeling time by letting EASE do half of the job for you!
  • Automated functions for insertion of multiple items.
  • Tables for editing or comparing multiple items.

 

Check Holes assistant

EASE includes a dedicated resource to assist you in making sure the calculations will provide correct results, the so-called Check Holes feature. This utility will scan the room against modeling mistakes, display the potential problems in a convenient way and even fix some of them automatically.

 

Solid room rendering

The room can be viewed and rendered in a number of different ways. For instance, by coloring the room surfaces based on the average absorption coefficients, potential locations where acoustic materials are either missing or are incorrectly applied can be identified. 

 

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Room faces colored based on their average absorption coefficients, with lighter colors indicating lower the absorption.
CAD Import/Export

 

Image
EASE, SketchUp and AutoCAD icons on a circle.

Powerful integration with third-party CAD programs, such as Autodesk AutoCAD and Trimble SketchUp

The EASE IMEX module provides a variety of import and export features enabling you to use your preferred modeling software, as well as to exchange your projects with architects, system integrators, and co-workers.

Data can be moved back and forth easily between EASE and external drawing tools and still maintain specific acoustic information and relationships.

Extensive Acoustic Material Base

 

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Examples of acoustic materials.

Extensible and customizable database with more 700 different acoustic materials, including commercial absorbers

Once the room geometry is defined, the next step towards an acoustical simulation is the assignment of surface materials from the materials database.

At any time you may also create and add materials to the program catalog with the Wall Material Database module or by modify existing data sets. In EASE, acoustic materials are principally defined by a set of absorption and scattering coefficients, given in a 1/3rd octave resolution. 

 

Additionally, AFMG SoundFlow and AFMG Reflex are fully compatible with EASE. These programs are able to generate new material files and to update existing ones with computed data for absorption coefficients or scattering coefficients, respectively.

 

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AFMG SoundFlow calculates absorption, transmission and reflection of sound in multi-layered structures.

AFMG SoundFlow - Sound absorption and transmission loss simulator

SoundFlow is a simulation software for calculating the absorption, reflection, and transmission of sound by multi-layer structures.

Absorption coefficients generated by SoundFlow can be used in EASE.

 

 

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AFMG Reflex simulates the scattering of sound on 2D structured surfaces.

AFMG Reflex - Scattering and diffusion simulator

AFMG Reflex is a two-dimensional acoustics simulation software to model the reflection, diffusion, and scattering of a sound wave incident upon a defined geometrical structure.

Scattering coefficients generated by Reflex can also be used in EASE, when it is combined with the AURA module.

 

Standard Room Parameters

Automatic calculation of standard room parameters

After modeling the room, several measures can be immediately displayed, such as:

  • Room volume
  • Effective surface area
  • Total surface area
  • Mean free path length
  • Mean free path time
  • Average absorption coefficients
  • Material coverage statistics

You can also determine the distance and sound propagation time between any two points in the model.

RT Calculation

 

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Example of Sabine reverberation time computed by EASE.

Statistical RT calculation based on the classical equations of Eyring and Sabine

EASE can immediately display the calculated figures based on Sabine or Eyring formulas and use it for a number of related simulations.

 

RT calculation based on Ray Tracing techniques

The designer is also free to use advanced methods for the RT calculation. These use Ray Tracing techniques in order to compute the room impulse response, which is then used as input to calculate the RT.

Insertion of a Measured RT

Import a real-life measured reverberation time and use it for a number of simulations

AFMG also develops professional measurement software, which can be used to acquire real life reverberation times. This allows e.g. easy comparison between simulation and measurements.

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SysTune software logo

SysTune - Live sound measurement in real time

Fastest data acquisition, multiple channels, many valuable tools for fast on-the-spot system optimization and AFMG's patented RTD algorithms.

 

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EASERA Measurement Software Logo

EASERA - Scientific evaluation of room acoustics

Unrivaled platform for large-scale measurements with up to 32 channels and up to 192 kHz sampling rate. For efficient work in large venues, as well as in scale model measurements.

 

Optimize RT Tool

 

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Optimize RT window.

Outstanding analysis tool included in all licensing versions of EASE

Quickly predict the effect that the change of an acoustic material has on reverberation time and average absorption coefficient in a frequency dependent manner.

Set a target RT curve and explore different choices of materials to reach that goal.

Optimize RT is a huge time-saver whenever the reverberation time of the room is already known and the model has to be calibrated properly according to the available measurement data.

Loudspeaker Database

The largest database of sound sources

Perform accurate electro-acoustic simulations with high-resolution sound source models based on real life systems. 

There are more than 100 manufacturers and engineers from all over the world continuously contributing to our extensive and open database, reaching an exceptional mark of more than 3000 different loudspeaker and sound source models!

 

View Supported Brands

 

Various different types of sources are available:

  • Male or female humans
  • Simple loudspeakers
  • Multi-way loudspeakers
  • Simple columns
  • Line arrays
  • Digitally steerable columns Horns
  • Clusters, alarm systems, etc.
    Custom Loudspeakers

    Add your own loudspeakers to EASE using high class sound source modeling algorithms

    EASE comprises the latest AFMG research on sound source modeling with the award-winning GLL (Generic Loudspeaker Library) high resolution data file format.

    With the GLL it is possible not only to define the electro-acoustic properties of the sound source such as sensitivity and directional transfer functions down to the level of individual transducers. But it is also possible to describe its mechanical characteristics, include splay angles for line array configurations, transformers for high-impedance applications, insert virtual or measured filters and set different loudspeaker models and input configurations.

    If all the current loudspeaker models are not enough, you can always add your own data to the program in a high resolution format. The SpeakerLab creation module is shipping with all versions of EASE.

    Image
    EASE SpeakerLab interface.

    Other data formats, such as DLL and SPK, are also available. The DLL allows integration of proprietary algorithms and of a customized user interface by loudspeaker manufacturers.

    EASE can also import various third-party loudspeaker data formats. Please refer to the documentation for more details.

    Viewing and Editing Loudspeaker Data

    Verify GLL loudspeaker data files with SpeakerLab

    Be sure you are making the right choice by checking the loudspeaker specifications with EASE SpeakerLab.

    Image
    Line array balloon computed with SpeakeLab.

    The free EASE GLL Viewer program can also be used to view GLL loudspeaker data, in order to analyze and compare several performance measures, such as:

    • Sensitivity
    • Frequency Response
    • Maximum Power
    • Maximum SPL
    • 2D/3D Polars
    • Polar Coverage
    • Directivity Index
    • Q Factor
    • Horizontal/Vertical Directivity Maps
    • Directional (Balloon) Data for Attenuation and Phase
    • Beam Width, Transfer Function, and more…

     

    Image
    Loudspeaker balloon computed with SpeakerBase.

    SPK and DLL loudspeaker data can also be inspected with the integrated SpeakerBase module.

    SPK data files can not only be viewed, but also edited for quick evaluations with the EASE SpeakerBase module. Any loudspeaker data edited by an end user is clearly indicated in the simulation results as not authorized by the manufacturer.

     

     

     

     

       

      Full Virtual Sound System Control

       

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      Loudspeaker properties window.

      Extensive loudspeaker configuration options

      Several controls are swiftly available for the loudspeaker configuration, such as:

      • Level and gain
      • Delay Time
      • Driver Alignment
      • Filters
      • Phase
      • Polarity
      • Position (X,Y, Z) 
      • Aiming Angles (Hor., Ver., Rot.)
      • Electrical Input Power
      • Extended controls (mechanical, electrical and physical parameters)

       

       

       

      Image
      Loudspeaker group highlighted in EASE.

      Loudspeaker group control

      EASE enables you to create groups and quickly change settings, such as gain and delay, for several loudspeakers at the same time. Each loudspeaker can be part of several groups, providing great flexibility.

       

      Standard Mapping

      Standard Mapping - Investigate a comprehensive set of acoustical parameters based on statistical acoustics

      EASE offers a wide set of tools for electro-acoustic and acoustical investigations. Among them is the Standard Mapping feature, which allows a large number of simulations to be performed based on the diffuse field assumptions of statistical acoustics.

      Image
      STI simulation using the Standard Mapping method.

      Standard Mapping makes use of Eyring or Sabine statistical formulas to generate RT figures that will be used to calculate some acoustical parameters, such as the STI (Speech Transmission Index) and the Total SPL. Measured RT data can also be used for this type of mapping.

       

      A number of acoustic parameters can be simulated with Standard Mapping

      The calculation results are available in 1/3rd octave bands as well as in larger bandwidths. Data can be exported in both text and graphic formats. All of the following parameters can be mapped:

      • Direct SPL
      • Total SPL (Direct + Reverberant sound fields)
      • STI intelligibility measures (according to  IEC60268-16:2003)
      • D/R Ratio (Direct/Reverberant ratio)
      • RaSTI
      • Critical Distance
      • Clarity and Definition Measures (C7, C50, C80, CSplit)
      • Sound Pressure Levels (L7, L50, L80, LSplit)
      • Arrival Times
      • Loudspeaker Coverage Overlap
      • Loudspeaker Aiming
      • ITDG (Initial Time Delay Gap)
      • Articulation Loss (% AlCons)
      • Articulation Index
      • Privacy Index

       

      The calculations can be performed not only for Audience Areas but also over room surfaces and on specific Listener Seats

      This feature makes it easy to detect potential problems and to analyze representative locations in great detail. 

      Image
      Mapping on Audience Area vs mapping on Faces.
      Statistical Tools

      Statistical tools for enhanced evaluation of simulation results

      Maximum and minimum values, standard deviation, average and distribution graph are some of the statistical resources that you can use to optimize the system performance as well as to illustrate the simulation results.

       

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      Example of Direct SPL distribution.

       

      In particular, tenders often ask for coverage figures, such as an STI of 0.5 or better for 90% of the area of interest. In EASE, such information is available on a single mouse click.

      Distribution graphs can be viewed for all frequencies and all kinds of acoustic results.

      Reflection Pattern Studies

       

      Reflection pattern studies with Ray Tracing

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      Reflections over selected surfaces.
      Simple ray tracing on selected surfaces.

      Numerous powerful Ray Tracing tools are offered by EASE, ranging from simple Ray Tracing  as well as Mirror Imaging to an advanced hybrid method, comprising the most accepted techniques worldwide.

      Simple Ray Tracing is an excellent instrument for reflection pattern studies.    

       

       

      The Ray Tracing technique

      Image
      Ray tracing particles spreading into the room.
      Ray tracing particles spreading into the room.

      A sound source generates an impulse: a number of particles,  (or rays) are released into the room, propagating at the speed of sound. As they travel, they lose energy due to air absorption, which is especially noticeable at higher frequencies. Eventually a particle hits a room boundary - or an obstacle - loses more energy, and is reflected back to the room, in an iterative process. The program keeps track of each particles path, energy and time, until pre-determined limits are reached (such as propagation time, reflection order or energy loss).

       

      You will know exactly when, where and how the rays hit the surfaces

      This enables you to visualize and study the propagation of sound throughout the room. This tool stores information about all reflections so that, ray by ray, you can identify potential geometry problems and evaluate possible solutions.

      • Are those panels correctly angled?
      • Will that rigid back wall cause any problems due to the long propagation path?
      • Do I have to expect flutter echoes in this hall?
      • How does a whispering dome work exactly?

      Ray tracing is also a great presentation tool for demonstrating complicated acoustic problems very intuitively to a client.

       

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      First order reflections over selected surfaces.
      First order reflections over selected surfaces.

       

      Handy options and expanded functionality can provide you different perspectives

      • Visualize the propagation of particles into the room through the Movie feature.
      • Let the program define the color of a Ray - or particle - by its order, SPL, energy loss or even the color of the reflecting surface . Display only Rays that hit specific surfaces.
      • Show only the Rays emitted within the loudspeakers 3, 6 or 9 dB coverage cones.
      • Analyze each Ray in detail: bounce location at a surface, traveled path, distance, delay, levels from different perspectives. All for each available frequency band.

      For this study usually a relatively small number of rays, e.g. 1,000, is enough.

      Enhanced Standard Mapping

       

      Standard Mapping with Reflections – One more step towards advanced examinations

      In addition to the ideal reverberant tail used for Standard Mapping, EASE is capable of computing room reflections with different Ray Tracing methods.  Both methods are combined in what we call Standard Mapping with Reflections. 

      This feature is typically used to estimate the consequence of first-order reflections.

       

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      Example of Standard Mapping including first reflections.

       

      In Standard Mapping with Reflections the undesirable result of that rigid back wall will be much clearer to your eyes!

      • Account for the arrival sequence of first-order reflections
      • Check the possible tonal coloration and comb filtering
      • Evaluate the effect on speech intelligibility
      • Confirm that those panel positions will yield the desired energy distribution!
      • Is there concentration of energy due to that rigid and concave surface? How much energy? Where?

       

      All calculations available for the Standard Mapping can also be performed here:

      • Direct SPL Total SPL
      • STI intelligibility measures (according to IEC60268-16:2003)
      • D/R Ratio
      • RaSTI
      • Critical Distance
      • C Measures (C7, C50, C80, CSplit)
      • Level Measures (L7, L50, L80, LSplit)
      • Arrival Times
      • Loudspeaker Coverage Overlap
      • Loudspeaker Aiming
      • ITDG
      • Articulation Loss (% AlCons)
      • Articulation Index
      • Privacy Index
      In-depth Reflection Analysis with Ray Tracing

       

      Calculations for in-depth reflection analysis – Stochastic and Deterministic Ray Tracing methods

       

      Ray Tracing Impacts

      The (find) Ray Tracing Impacts feature of EASE is a stochastic approach to model the propagation of sound in the room, giving you the opportunity of performing a comprehensive analysis of reflections that are detected at specific spots – i.e. at Listener Seat locations.

      This approach uses a Monte Carlo simulation method, and in contrast with the simple Ray Tracing technique, here the number of particles (rays) is a fundamental factor, determining simulation accuracy and the repeatability of the results. In many cases 100,000 particles or more are used, although EASE is capable of generating higher figures if needed.   

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      Example of Ray Tracing Impacts.

      Also in this module you are able to view the ray’s path and information, just as in the simple Ray Tracing feature. But in addition, now you can identify the specific surfaces that are hit before the sound gets to a particular seat, and check the corresponding ray’s minutiae.

      This essential utility registers information for those rays that pass within a meter of a chosen point, e.g. a Listener Seat, and for each point individually. The detailed data – ray arrival time, reflection order, direction of incidence and energy level for all 21 frequency bands covered by EASE - can then be sent to other EASE modules, such as the Probe and EARS programs, so that post-processing, in-depth investigations, analysis of several objective acoustical parameters and critical evaluation of subjective impression can be performed.

       

      Mirror Image Impacts

      This tool also starts a calculation that looks for all rays that hit specific points (Listener Seats) within the room, so that Impact files for in-depth analysis can be generated and each ray can be analyzed.

      However, unlike Ray Tracing Impacts, Mirror Image Impacts is a deterministic (Image Source) model, leaving nothing to chance!

      100% of rays that would hit a selected seat within a pre-determined cut-off limit are found!

      It is the most accurate approach, also generating exact temporal information.

      This method can be considerably faster than the stochastic Ray Tracing routine, as long as reflections of low orders, or a relatively small number of surfaces are considered. However, the calculation time increases significantly with the reflection order and the number of surfaces. Because of this and the inability of the algorithm to account for scattering effects, large and complex rooms are generally investigated using Ray Tracing Impacts or the AURA raytracing module.

      AURA Module

       

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      STI simulation in a stadium with AURA Mapping.

      Accurate and Fast Impulse Response Simulations  

      AURA is composed of a hybrid Ray Tracing engine, which uses both a deterministic Image Model (Cone Tracing) and Stochastic Ray Tracing methods, taking advantage of the best they can offer to speed up the computation without compromising accuracy.

       

       

       

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      High CPU Utilization - 64-bit Engine.png

      Get the Most Out of Powerful Computers

      High-end algorithms allow you to use all resources available on modern machines with 64-bit CPUs and several cores, as well as large amounts of RAM and disk space. This guarantees considerable reduction of calculation times, which are especially important for large or complex projects!

       

       

       

       

       

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      Mapping of the reverberation time (T30) at several points of a theatre.

      Compute Key Acoustic Parameters According to ISO 3382 Standard 

      Evaluate the room or system design based on measures defined in the International Standard on Room Acoustic Measurements ISO 3382. AURA is capable of adding all the following measures to EASE:

      • Early Decay Time (EDT)
      • Reverberation Time (T10, T20, T30)
      • Lateral Fraction (LF)
      • Lateral Fraction Coefficient (LFC)
      • Definition (D, C50)
      • Clarity (C80)
      • Sound Strength (G)
      • Center Time
      • Echo Criteria for Speech and Music
        (Dietsch and Kraak)
      • STI (IEC60268-16:2003 and 2011)
      • Articulation Loss (% AlCons)

       

       

      Image
      Reflectogram computed with AURA.

      Compute Full Impulse Response Data 

      AURA generates full-length impulse response data. While large or complex rooms often limit the capabilities of conventional Ray Tracing and Mirror Image algorithms and therefore require adding an extrapolated reverberant tail in post-processing, AURA’s hybrid approach can simulate reflectograms and impulse responses up to the length of the reverberation time and even longer. Only in this manner late reflections as well as coupled reverberant spaces can be analyzed reliably and subsequently auralized by the EARS Module.

       

       

       

      Take Into Account Scattering Coefficients

      The effect of sound scattering by structured surfaces and surface materials is only taken into account with AURA. The Wall Material database module includes a Scattering Wizard that allows real-life approximations of scattering coefficients.

      For users who are uncertain about the degree of scattering of particular surfaces, the new default “S-curve” of scattering coefficients developed in cooperation with RWTH Aachen is key. Results should be closer to reality and less tuning of the scattering coefficients should be necessary.

      Acoustical Probe

      Explore the acoustical Probe and its abilities for simulating a measurement suite

      From the gathered information about rays that impact at particular locations in the room - by means of the Ray Tracing or AURA modules – detailed investigations through the Probe program and its extensive views and calculations can be made.

       

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      Reflectogram displayed in the Probe module.

       

      A number of displays are available through the Probe, including:

      • Reflectogram
      • Impulse Response
      • Energy Time Curve (ETC)
      • Waterfall
      • Frequency Response (for sound sources and even for each reflection)
      • Pressure Levels (Ldir, L7, L50, L80, Ltot, Lsplit)
      • 3D Hedgehog (Direction and Relative Level – Horizontal, Vertical or 3D)
      • Phase Angles
      • Schroeder RT (include comparison with statistical values or measured data)
      • Modulation Transfer Function (MTF)
      • STI Intelligibility Predictions
      • Clarity Measures (C7, C50, C80)

      Discover yet a number of other figures and utilities, such as the total energy, the diffuse energy, the direct sound energy, and more!

      EARS Module

       

      Add subjective impressions to the design process with accurate auralizations

      Auralization is the process of simulating and making audible the effects of playing a known reference sound, such as program material, through a defined loudspeaker system in a particular space. It allows listening to the room before it is even built. An invaluable tool for the acoustic consultant and sound system designer.

       

      With EARS you can detect colorations, flutter echoes, spatial distortions, slap-back reflections and more.

      Below you can hear an auralization computed with EARS for the example model shown. The room impulse response calculated with the AURA module was captured at the displayed listener seat position. There was only one loudspeaker on. 

       

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      Auralization example model.
      Audio file
      Computed auralization.
      Audio file
      Dry signal used as input for the auralization.

       

       

       

       

       

       

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      EARS module - Auralization tool interface.

      EARS is an extension module for EASE

      Orientation within the room can be provided to the listener both in standard binaural format as well as in Ambisonics B-Format for professional listening rooms. 

      Additionally, EARS includes a number of tools to assist the designer in this task. For instance, with the integrated signal generator it is possible to produce noise signals that can then be mixed in the auralizations, such as Pink Noise, White Noise, Air Conditioning Noise, etc.

      EARS includes mono and stereo convolvers and can perform auralizations either Off-Line (save to an audio file) or in Real Time.

       

      Presentation Tools

       

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      Room rendering with Vision.

      Vision architectural rendering module

      In addition to the power of auralizations as a presentation tool, EASE includes a dedicated Architectural rendering module called Vision.

      Vision delivers enhanced graphical presentations due to its light and textures rendering capabilities, being able to generate photo-realistic images that will surprise your clients!

      The Texture and Light databases in EASE are fully customizable, letting your creativity free to produce amazing drawings, including light reflections, transparency, colors, background images and different light sources!

       

      InfraRed Module

       

      IR Devices simulation module

      The Infrared (IR) extension module allows you to simulate the performance of infrared communication systems and devices, such as Transmitters and Modulators in a similar way as for sound systems and loudspeakers.

      EASE is capable of simulating the direct radiation of such devices and of computing figures for the signal-to-noise ratio.

      Image
      Example of InfraRed simulation.

       

      Image
      IR device data example.

      As usual, all the devices are customizable and you can also add your own device characteristics for the simulation.

      For this, EASE provides a dedicated modulator database allowing definition of devices in the narrowband as well as the broadband ranges 2.3, 2.8, 3.3 and 3.8 MHz.

      EASE InfraRed also provides a receiver database. Using specific InfraRed receivers is especially helpful to allow evaluation of local SNR using these specific receivers.

      Flexible Exchange Interfaces

      Data exchange with other AFMG packages

      • Import measurement data from EASERA and SysTune for calibration of the acoustic room model.
      • Export result data to EASERA or SysTune for comparison with measurement results.
      • Exchange data with sound system modeling packages EASE Evac, EASE Focus or EASE Address.
      • Use AFMG SoundFlow to derive absorption coefficients for multi-layer walls.
      • Employ AFMG Reflex to calculate scattering coefficients for diffusers and other surface structures.

      Supported Brands & Database

      Supported Brands Table

      Several manufacturers provide loudspeaker data files for AFMG software. The table below provides an overview of all the companies who have provided loudspeaker data, and for which products they are available.

      To download these data files, please refer to Loudspeaker Databases, from our Resources page.

      Note that some manufacturers distribute the loudspeaker data only through their website or upon request. If you are missing a particular brand in the software, please contact the respective company directly. 

      Please contact the manufacturer for loudspeaker data
      Loudspeaker data available through AFMG

      A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

      [A]  Brand EASE EASE Evac EASE Address EASE Focus
      1 Sound    
      ACE      
      acoustic line SEEBURG      
      Active Audio    
      Adamson Systems Engineering  
      AD Systems    
      Alcons Audio    
      Admark    
      ALTEC LANSING      
      ALTEC LANSING PRO      
      Amadeus  
      Amate Audio  
      Ambient System      
      AMINA    
      Apart Audio
      Apia    
      APG  
      APL      
      APOGEE      
      ATLAS    
      Attack Audio System  
      Audac
      Audience Delight    
      AUDIOCENTER    
      AUDIOFOCUS    
      AUDIO PERFORMANCE    
      Aura Audio    
      Australian Monitor  
      [B]  Brand EASE EASE Evac EASE Address EASE Focus
      B&C      
      Bag End Loudspeakers    
      Belisle Acoustique      
      Beta Three    
      beyerdynamic      
      biamp  
      Bosch Security Systems  
      Bose Professional  
      Bouyer  
      [C]  Brand EASE EASE Evac EASE Address EASE Focus
      CAF    
      Canon      
      Carvin  
      CDK      
      CELESTION      
      Celto Acoustique    
      CERWIN-VEGA      
      CES Audio      
      Clair Brothers      
      Clair Global    
      C-MARK    
      CODA Audio    
      Community Professional Loudspeakers
      Cooper Notification    
      Cornered Audio  
      COTINA  
      Craaft Audio GmbH  
      Crest Audio    
      Crestron  
      [D]  Brand EASE EASE Evac EASE Address EASE Focus
      d&b    
      D.A.S Audio    
      Danley Sound Labs    
      db Technologies    
      Desfine      
      dsp    
      DSPPA    
      DUKANE      
      DURAN AUDIO      
      DYNACORD    
      [E]  Brand EASE EASE Evac EASE Address EASE Focus
      EATON  
      EAW  
      ECLER  
      Electro-Voice
      Elettronica Montarbo    
      Elko Schmid Electronic  
      EM Acoustics    
      ENNE    
      Equipson      
      ESAudio      
      ESS AUDIO    
      Extron Electronics  
      ezAcoustics    
      [F]  Brand EASE EASE Evac EASE Address EASE Focus
      FBT  
      fdB  
      Fidek    
      Flare Audio    
      Fohhn Audio AG      
      FONESTAR    
      Fourjay      
      FRAZIER      
      Fulcrum Acoustic  
      Fulgor    
      Funktion One      
      FZ Audio  
      [G]  Brand EASE EASE Evac EASE Address EASE Focus
      GALAXY AUDIO      
      GENTEX    
      Go Audio    
      [H]  Brand EASE EASE Evac EASE Address EASE Focus
      Harmonic Design    
      Heinrich Limited    
      HH Electronics  
      HiVi    
      HK Audio  
      Honeywell Audiovisuals  
      Honeywell    
      HUSHAN  
      [I]  Brand EASE EASE Evac EASE Address EASE Focus
      iBO    
      ic audio    
      IDEA Pro Audio    
      ITC  
      [J]  Brand EASE EASE Evac EASE Address EASE Focus
      JAH Audio, Corp.      
      JBL-Professional  
      [K]  Brand EASE EASE Evac EASE Address EASE Focus
      K-array    
      KEF Audio    
      KEVIC    
      Klein+Hummel      
      KLING&FREITAG      
      Klipsch  
      KME      
      KS AUDIO    
      KV2 Audio  
      [L]  Brand EASE EASE Evac EASE Address EASE Focus
      L-Acoustics      
      LAX-PRO  
      LD Systems
      LDA Audiotech    
      LEEM    
      Leon Speakers    
      Listen Audio    
      Logic Systems    
      Lotusline France    
      Loud Professional    
      Lowell Manufacturing      
      LXN  
      [M]  Brand EASE EASE Evac EASE Address EASE Focus
      MacPherson      
      MAG Audio    
      Maga Engineering    
      Martin Audio  
      MARC AUDIO    
      Master Audio      
      McCauley Sound      
      MDC  
      Medianet      
      MERIDIAN      
      Meyer Sound    
      MONACOR  
      Monitor Audio  
      Montarbo    
      Multistar    
      musikelektronic geithain      
      MZ Audio    
      [N]  Brand EASE EASE Evac EASE Address EASE Focus
      NAW Performance Audio    
      NEXO      
      NEXT-proaudio  
      NTi Audio    
      [O]  Brand EASE EASE Evac EASE Address EASE Focus
      OAP      
      ODIN Audiosystems    
      OHM      
      One Systems  
      Origin Acoustics  
      Outline    
      [P]  Brand EASE EASE Evac EASE Address EASE Focus
      PAL    
      pan acoustics    
      Panasonic / RAMSA      
      PAS      
      PEAVEY      
      Penton      
      Pioneer Professional Audio    
      PK Sound    
      Poeschel    
      POL-AUDIO    
      ProAudio Technology    
      Pro DG Systems    
      Proel    
      Prophon    
      Proso      
      ProTone    
      PSE Audio    
      [Q]  Brand EASE EASE Evac EASE Address EASE Focus
      QPRO Audio Germany      
      QSC
      Quam      
      Quint Audio    
      [R]  Brand EASE EASE Evac EASE Address EASE Focus
      RAULAND      
      RCF
      RENKUS-HEINZ    
      REYN AUDIO    
      RUIFENG intell    
      [S]  Brand EASE EASE Evac EASE Address EASE Focus
      SE Audiotechnik
      SEEBURG acoustic line    
      Shure Incorporated
      SIEMENS    
      Silver Acoustic      
      Simplex    
      SLS Loudspeakers    
      Sonance  
      Sound Advance Systems      
      SoundBarrier    
      Soundking  
      Soundprojects      
      SOUNDSPHERE      
      SoundTube  
      Spottune    
      Srite    
      STS Touring Series    
      Studiomaster      
      Studt-Akustik    
      SYNQ      
      System Sensor    
      [T]  Brand EASE EASE Evac EASE Address EASE Focus
      T&M      
      TANNOY
      T.D taichee    
      Technomad      
      Tecnare  
      TOA
      Turbosound    
      TW AUDiO  
      [U]  Brand EASE EASE Evac EASE Address EASE Focus
      University Sound      
      UTC Fire & Security      
      [V]  Brand EASE EASE Evac EASE Address EASE Focus
      VA    
      VERITY AUDIO    
      Voice-Acoustic    
      Void Acoustics    
      VOKON  
      VTC Pro Audio    
      VUE Audiotechnik  
      [W]  Brand EASE EASE Evac EASE Address EASE Focus
      WestLab Audio    
      Wharfedale Pro  
      White Acoustics    
      WHD      
      WORK Pro    
      Worx Audio    
      [X]  Brand EASE EASE Evac EASE Address EASE Focus
      XSWY Audio    
      XYCAD Audio    
      [Y]  Brand EASE EASE Evac EASE Address EASE Focus
      YAMAHA    
      YME SYSTEMS    
      YORKVILLE      
      [Z]  Brand EASE EASE Evac EASE Address EASE Focus
      ZSOUND    
      ZINGALI ACOUSTICS S.p.A.      
      Loudspeaker Database

      The provision of EASE loudspeaker database takes place with the delivery of the software.

      You can download and update the data files anytime by using Database Update from the Help menu of EASE.

      Note that some loudspeaker manufacturers distribute the loudspeaker data only through their website or upon request. If you are missing a particular brand in EASE, please contact the respective company directly.

       

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